A Holocaust Cabaret Melahat BehlilPresents two scripts reconstructed in 2017 one Australian, one South African based on a satirical musical written in 1943 in the Terezin Ghetto. Accompanying essays explore how each creative team engaged with the original script to link their reconstructions with immediate political and social concerns. 29 col, 2 b w illus. The introduction, by editor Lisa Peschel, is available for free here.
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She was later adopted by an uncle in South Africa
